2017 Reading Roundup

front cover image of The Book of Dust, two figures rowing in a boat over rough seas in the dark
Worth the wait

It was a relatively slow reading year. Lots of audio books, lots of re-reads, but a few stand out titles too. Of the 50 books I managed to get through, here are my highlights.

The Book of Dust was my favourite¬†fiction book of the year. It felt so good to delve into Lyra’s world again, and to have this exploration of the period before His Dark Materials. I was bracing myself for disappointment, worried that it wouldn’t live up to the depth of love I feel for the HDM trilogy but was relieved to find it a great accompaniment to the previous works. I’m already hanging out for the next one.

My top non-fiction pick of the year has to be the audiobook of Magda Szubanski reading her debut novel Reckoning, A Memoir. I’m sure it was great to read on the page, but listening to her emotions crackle in your ear made this an extra special experience. It’s not just that she has an engaging story to tell, it was also a pleasure to discover Magda is a beautiful writer. From her descriptions of growing up in Australian suburbia to her ability to capture the experience of visiting places rich with history, she has a beautiful way of describing both setting and emotion.

Honorable mentions:

Lynda LaPlante’s Tennison novels (I watched Prime Suspect when it aired originally in the early 90s, I can’t overstate how central it was to developing my love of British crime). I really enjoyed coming back to this character and getting a sense of how she evolved into the tough-as-nails female detective.

Ida was definitely a standout; this YA-scifi title is deftly constructed and keeps you turning pages long past bedtime.

Songs that Sound like Blood was a great YA read this year. Jared Thomas excels at telling the story of a young person at a pivotal point in their life, capturing the pressure and uncertainty accurately.

Birds Art Life was also a really lovely short read. I’ve long loved Kyo Maclear’s kids books and being asked to facilitate an in-conversation session at MWF with her and Shaun Tan was a great excuse to delve into her work for adults.

Lastly, I did a lot of re-reading this year and particularly enjoyed listening to Phryne Fisher in audiobook format. She sparkles when being read aloud, I thoroughly recommend listening to whole series.

MWF 2017

Tomorrow is my first day presenting at MWF 2017. As per my earlier post, I have six excellent sessions to host. Day one kicks off with two sessions in the schools program (Oliver¬†Phommavanh doing writing exercises with students and Leena Van Deventer talking about writing video games). Did you know that the schools program is exclusively for young people? That’s right, no adults allowed. It’s one of the things I admire about the festival as especially in the YA space there can be a sense that adult fans are edging out young people. So no, if you’re over 18 you can’t come along and enjoy those sessions as much as you might want to.

My public session tomorrow is one I am so looking forward to. Sexism as a Mental Health Crisis will be held at QVWC, which is a gorgeous venue and they always make such lovely hosts. In preparing with the writers, it’s clear this session could easily run for double the time allotted and we still wouldn’t be covering everything. It’s a topic rife for deep analysis and I can’t wait to hear what these women have to say.