The Age 2023 Melbourne Fringe Festival Reviews

It’s Fringe Fever time in Melbourne and I’ve been reviewing shows for The Age. I was particularly pleased to be able to cover so many disabled performers for the festival; our sector is going from strength to strength.

Reviews on The Age:

Rainbow History Class with Rudy Jean Rigg and Hannah McElhinney

Rainbow History Class is in session, and teachers Rudy Jean Rigg and Hannah McElhinney have the room in their sway.

The Age, October 12 2023

Adam McKenzie: Hacked

Computers and their algorithms are ubiquitous in our lives and with a disarmingly warm delivery McKenzie mines this successfully to connect with his audience. I’m not keen on being hacked, but I’m keen on seeing this show as it develops.

The Age, October 12 2023

ROFL: The Listies

Rarely does bedtime for two-to-12-year-olds involve chaos, cows and peals of laughter. That is, unless you’re at The Listies show ROFL, where Rich and Matt are tackling bedtime with the verve of over-sugared toddlers.

The Age, October 12 2023

Mafia The Game: The Show with Ashley Apap and Nick Robertson

Welcome to Trades Hall where a town meeting has been called to unmask the Mafia hitmen among us. We’re here to witness a game of strategy, accusations, and outright lies (don’t worry, no audience participation required).

The Age, October 12 2023

Telia Nevile: Insomniac Mixtape

“We recommend you enjoy this show with headphones and jammies” is advice I like to hear at the opening of any performance. All the better coming from the soothing voice of Telia Nevile, poet laureate and fellow sleep-seeker.

The Age, October 12 2023

Stuart Daulman: A Day in the Life

We all want to feel like we’ve seen something unmissable, never to be repeated. Stuart Daulman delivers just this in each night of A Day in the Life, a show he writes daily based on what happened to him since he woke up the very same morning.

The Age, October 12 2023

An Evening With JK: Anna Piper Scott

Piper Scott’s satire goes beyond low-hanging fruit. In an acutely powerful monologue, she evokes compassion by exploring valid reasons JK fears men. Tackling this fraught territory simultaneously humanises her and lays bare her misguided logic. Arguments are followed to their logical conclusion and the destination is ugly.

The Age, October 19 2023

The Birth and Death of a Physical Artist: Roya the Destroya and Peter Sette

In The Birth and Death of a Physical Artist, Roya the Destroya and Peter Sette aim to show why, despite all the challenges it entails, they pursue life as professional artists.

The Age, October 5 2023

The Age 2023 Melbourne International Comedy Festival reviews

I’m pleased to be reviewing MICF shows for The Age this year. I first started reviewing MICF in the early 2000s for street press such as Beat magazine and in the years since have published literally hundreds of reviews in newspapers, online publications, zines, and radio programs. Comedy, with its mix of storytelling and/with humour (especially when through the prism of the personal being political), is my favourite live performance art form.

Reviews on The Age:

Jordan Gray

Jordan Gray is the hero Melbourne deserves and needs right now, bringing trans joy to the face of a city that has recently had to stare down transphobic Nazis.

The Age, April 5 2023

Grace Jarvis

Watching Jarvis embrace the things that bring her delight and invite us in to enjoy them with her is in turn delightful for the audience.

The Age, April 12 2023

Ashley Apap

For punters still unable to get to live performances, shows like Outer Child are a godsend, giving you the chance to whet your comedy-loving whistles.

The Age, April 12 2023

Prue Blake

With self-assured delivery and a commitment to going the extra mile to make a gag work, this is a thoroughly enjoyable show.

The Age, April 12 2023

Lizzy Hoo

Whether talking about office jobs she loathed or bringing Australian culture to Mongolia, Hoo is in the flow. There’s no dark to offset the light, no life lesson to take home, and not a single lull. It’s peppy, positive, and a damn good time.

The Age, April 5 2023

Lara Ricote

Lara Ricote is presenting comedy as real as the truths you’re serving up in the all-women group chat of your most trusted friends. From flirty to filthy, it’s as wonderful as it is wicked.

The Age, April 5 2023

Scout Boxall

Scout Boxall is what happens if you’re raised on a diet of educational media, including the nightly news, Oregon Trail, the history channel, and Mavis Beacon Teaches Typing: an adult with a true crime and conspiracy theory obsession – one not killed off by working for five years as a court reporter.

The Age, April 4 2023

Laura Davis

As the show unfolds, unravels, tangles, untangles and turns back on itself, we are brought full circle and Davis’ skill at weaving a story you didn’t know you were being told is unveiled. It’s remarkable and gratifying in equal measure.

The Age, April 4 2023

James Nokise

These deeply personal stories demonstrate a remarkable ability to draw the political from the personal in a way that avoids proselytising and endears him to the audience.

The Age, April 4 2023

New Order: Chloe Petts, Rob Auton, Huge Davies

Huge Davies ends the night with deadpan delivery and a keyboard that he wields to deliver musical comedy and comedy about music, both of which have a delicious dark streak.

The Age, April 4 2023

Dane Simpson

Dane Simpson named his show Always Was, Always Will Be…Funny on a whim, but it’s easy to imagine the funny kid he was when watching the cheeky, likeable performer he is now.

The Age, April 4 2023

Bec Petriatis

Here’s a performer who keeps the laughs rolling, the snark light and the atmosphere warm – just like a good Christmas.

The Age, April 4 2023

M/other at Wheeler Centre

I was proud to be a part of the M/other event at the Wheeler Centre. The whole weekend was a dream program with so many amazing people discussing the politics of motherhood and parenting. I cannot recommend enough that you watch the sessions once they are up online on the Wheeler Centre website.

I had the pleasure of talking about the body as it relates to pregnancy and post-partum as part of a panel with April Helen-Horton (The Bodzilla), Frankie Valentine and Eleanor Jackson. I could have continued the conversation for hours. There just isn’t enough frank, truthful discussion about how our bodies change when we give birth or the ways that our bodies are controlled, perceived and judged in this era of our lives.

You can watch the panel discussion here:

We’ve Got This Publication Day

I’m incredibly proud to be included in this anthology published today by Black Inc. which gathers together stories from disabled parents from Australia. My chapter reflects on how my feminism and disability politics have informed my parenting and vice versa. Spoiler alert: they’re impossible to extricate from each other!

Whether you’re a parent, a person with a disability or have a disabled parent or parent-to-be in your life, this collection is a terrific way to learn about the resilience and tenacity of our community.

You can purchase the book at your local independent bookstore or here online.

How does a father who is blind take his child to the park? How is a mother with dwarfism treated when she walks her child down the street? How do Deaf parents know when their baby cries in the night?

When writer and musician Eliza Hull was pregnant with her first child, like most parents-to-be she was a mix of excited and nervous. But as a person with a disability, there were added complexities. She wondered: Will the pregnancy be too hard? Will people judge me? Will I cope with the demands of parenting? More than 15 per cent of Australian households have a parent with a disability, yet their stories are rarely shared, their experiences almost never reflected in parenting literature.

In We’ve Got This, twenty-five parents who identify as Deaf, disabled or chronically ill discuss the highs and lows of their parenting journeys and reveal that the greatest obstacles lie in other people’s attitudes. The result is a moving, revelatory and empowering anthology. As Rebekah Taussig writes, ‘Parenthood can tangle with grief and loss. Disability can include joy and abundance. And goddammit – disabled parents exist.’

Contributors include Jacinta Parsons, Kristy Forbes, Graeme Innes AM, Jessica Smith OAM, Jax Jacki Brown OAM, Nicole Lee, Elly May Barnes, Neangok Chair, Renay Barker-Mulholland, Micheline Lee and Shakira Hussein. We’ve Got This will appeal to readers of Growing Up Disabled in Australia and other titles in the Growing Up series.

‘Full of deep, beautiful, important stories. I’ve learnt so much from this book.’—Clare Bowditch, musician, actress and radio presenter

How being disabled prepared Lefa for parenting in lockdown

Lefa Singleton-Norton says her disability has taught her to be flexible, ready to adapt and refocus on any given day depending on what comes her way.

I’ve got an article up on ABC Everyday about my experience of the pandemic as a disabled parent. I’d love for you to pop over to the site and read the whole article. Here’s an excerpt for you.

The supports I and my family have built into our lives to support my disability have proven to be some of the most useful factors in finding our way through these challenging times.

My disability has made me resilient. It has taught me to be flexible, ready to adapt and refocus on any given day depending on what life throws at us.

I know that even on the worst day it’s the little things that will get you through. These skills happen to be exactly what is needed during our current circumstances.

ABC Everyday

I wanted to reframe the misconception that having a disability means only having a list of deficits. My own experience is that as much as my disability can limit me, it has also given me valuable skills. Some of which I’m drawing on right now.

Man Up: support your fellow writers

I had my first piece of writing published online at Overland today, which is pretty exciting. Overland have been publishing some really great, challenging articles about writing/writers lately, and I felt that this challenge to men in our industry would be perfectly at home there.

The article was one I wanted to write because I believe there are men who do want to be good allies, but sometimes they don’t know how. For those men, I hope there are some ideas here that give them practical ways to, at the very least, not be a roadblock that women writers have to overcome just to have the same opportunities as men at the same stages of their careers.

Launch of Women in Literary Arts Australia

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Today is a day I have been eagerly anticipating for a long time. I finally get to share the project I’ve been working on for months, Women in Literary Arts Australia. I’m proud to have been working with Kate Callingham and Lisa Dempster on this, two women I respect and admire so much. We saw a need for something that supported the women in our industry to gain professional development, better networks and ways to work together more effectively. We committed to taking the first steps to creating an organisation which might meet these aims. Our hope is that these small beginnings will grow into a strong presence in the sector which makes a significant impact for women. I’m looking forward to our next steps, which will be to form a committee of women from all aspects of the sector to come together and set the agenda for the organisation.

You can follow WILAA on twitter or Facebook, or sign up for our newsletter here.

October 2012 Update

Things are still going full steam ahead at Limited News. It’s exciting to see the site finding a consistent readership, and our authors are settling in to the regular features well. Being part of a team with this much talent is really enjoyable. We’ve all got such different interests and ideas.

I’m working on a chapter for a book about publishing and writing which will be out next year. The topic is close to my heart and I’m doing my best to do it justice. It’s a new challenge, but I’m looking forward to seeing how it pans out.

Life at Express Media is as varied and hectic as always. We had a planning meeting last weekend and it was great to have the board and staff around the table looking to the future. We have so many ideas and such a load of enthusiasm. Sometimes it’s easy to forget we are a relatively small organisation, especially when you see how much we achieve with so few resources.

First Dog on the Moon and I have just wrapped up the first season of Cartoobs and Other Typos at Melbourne Fringe Festival. It surpassed all of our expectations, with full houses and great reviews. To top it all off the show was awarded the Adelaide Tour Ready Award, which is beyond exciting. We’re looking forward to developing the show further, and of course having it ready to perform at Adelaide in February. Producing it was a great opportunity to return to festival production, which I haven’t done for a few years now. I really enjoyed it.

Generally life is feeling pretty good.

Limited News Update

Wow. So our little sandpit has been live for about two weeks and we’ve been a little taken aback by the response. We’ve been flooded with emails, tweets and comments by people who are all loving the site.

What we thought of as a ‘soft’ launch to see how the first set of content would be received has turned into a whirlwind of writing, editing and publishing. It’s been a heap of fun, but we just weren’t prepared for the level of attention it has garnered. People are asking how to submit, when we will publish more, how they can get involved. For the time being we’re focusing on getting together some systems and procedures that will make the project sustainable in the long term.