A new episode of our podcast is out now in all the usual places (including Apple iTunes, Spotify, Podbean, Podtail). I’m particularly pleased with this episode, we got a lot out of it. You know you’re having fun with a podcast when the editing takes a really long time because you’re all laughing too much during recording.
You can find more information, including a full list of the books discussed in the episode, on the YPRL website.
Another episode of the podcast for you!
As always, you can head over to the YPRL website to see the full information on the episode, including a list of all the books we discussed in the episode.
Our first episode is live! Patrick, Sarah and I give you the first taste of how we work to find the best recommendations for library patrons looking to find new books.
Creating this podcast has been such a fun experience, mostly because Sarah, Patrick and I enjoy collaborating with each other. And, of course, because talking about books is pretty much the best way imaginable to spend your time.
I hope you enjoy our first episode. We’d love you to subscribe to the podcast through your usual podcast app, and leave us a rating and/or review if you’re so inclined.
Pop over to the YPRL website for more information, including the full list of books discussed in the episode.
Another podcast? Yes! I’ve teamed up with two of my fellow coordinators at Yarra Plenty Regional Library – Sarah Schmidt and Patrick Jovaras – to create a podcast all helping readers through their reading conundrums.
The project grew from our Book Valet service, where library members fill in a short survey about their current reading habits and likes/dislikes and one of the YPRL team recommends some books we think they would enjoy. Sarah, Patrick and I found ourself marvelling at how differently we each approached the surveys; not once did we select the same books for a person, but we all came up with a range of titles that met the criteria our patrons set for us. We started dissecting the process of book recommendations and realised that the most enjoyable part for us was the debates (both internally with ourselves and then externally with our coworkers in the office) on finding the perfect book. To us, these conversations were fascinating, and we thought other readers and librarians would enjoy exploring the art of recommending the perfect read. Thus, In the Good Books was born.
Our trailer for the podcast is available to listen to now, and you can subscribe to the podcast in all your regular podcast listening apps and websites including Apple iTunes, Spotify, Podbean and Podtail.
My favourite books of the year all stand out for their exceptional writing, their ability to draw me in to the world they create or explore, the way they haunt me after I read them (that can be in a positive or negative way) and the desire I have to tell everyone I come across about them in detail. They are the books that make me want to pick up another book in the hopes of finding the same magic again. So why, when I read so much in the crime genre, are so few in my favourite reads of the year?
A good crime book can certainly do all of the above, but often they don’t. Often I enjoy them as I’m reading or listening, but once a crime book is finished I may not remember much about it. Does this mean it isn’t good? In my case I’d argue it’s still been worth reading because it serves its purpose. It helps me to unwind and relax. It gives me pleasure as I’m reading. It offers me escapism when my brain isn’t up to anything particularly challenging (a state I find myself in pretty frequently thanks to my ME/CFS).
I read as many books as I do per year because I use different books for different purposes at different times. Some I read in audiobook format to wind down at night, some I read in paperback to take me away from screens, some genres I read to help encourage me out of a reading rut, sometimes I switch to a different genre/format/style to cleanse my palate from the last book I read. I don’t believe in good/bad genres or formats. I think we should read what we want to, whatever serves our purpose at that particular point in time.
The book that bought me the purest joy this year was Red, White and Royal Blue. I texted people insisting they start reading it immediately before I’d even finished it. I laughed out loud and I couldn’t put it down. Some people think adults shouldn’t read YA. Some people would think the very lightness and fun of this book make it less worthy than some of the books I included in my highlights that are considered capital-L-Literature. That’s ridiculous. Sometimes we need lightness and laughter. That’s no less worthy than books that make us question our place in the natural world (which A Constant Hum did for me this year), or educate us on something we haven’t previously known (as Dark Emu did for me this year).
We shouldn’t focus purely on how many books we read per year, or on how many award-winning books we read, or how many were considered High Literature. We should aim to have a varied diet of books. Read widely across genres, authors, countries of origin and perspectives. Use books to meet your needs. And don’t let anyone judge your books by their covers.
This was a blockbuster year of reading for me. Over 100 books across most genres. But as we all know, it’s not how many you read that matters, it is whether you managed to find books that made your heart sing or kept you up late into the night or left an indelible impression on you. I definitely felt like this was a good year for me in finding some exceptional reads.
Highlights of 2019:
Australian fiction: Rain Birds by Harriet McKnight, A Constant Hum by Alice Bishop, Wintering by Krissy Kneen, Beautiful Revolutionary by Laura Elizabeth Woolett, The Dark Lake by Sarah Bailey.
YA/MG: How to Make a Movie in Twelve Days by Fiona Hardy, Sick Bay by Nova Weetman, Red White and Royal Blue by Casey McQuiston, Sophia and the Corner Park Clubhouse by Davina Bell, The Secret Commonwealth by Philip Pullman, How to Bee by Bren MacDibble.
Fiction: The Plotters by Kim Un-su, Normal People by Sally Rooney.
Non-fiction: Dark Emu by Bruce Pascoe, Only by Caroline Baum.
Notably, of the many, many crime books I read in 2019 I only added one to my highlights of the year (Sarah Bailey). I listen to a crime novel audiobook to fall asleep to nearly every night, but if it is a particularly good book I quickly switch to listening to it during the day so I can give it my full attention (or probably more accurately, so that it doesn’t keep me up at night!). You’d think that, statistically, reading more crime novels would mean it would feature more in my highlights. Does the fact it doesn’t mean I have higher standards for what makes a notable crime novel, or does it indicate I’m losing interest in the genre? A little of the former, probably, but not the latter.
We read different books for different reasons. For me, a good crime book is one that keeps me wanting to turn the pages and find out whodunnit. It also needs engaging characters, a setting that I enjoy and when it comes to audiobooks, a good narrator. I use crime books to unwind before sleep. The predictability of the genre is a big part of its appeal. But that doesn’t necessarily mean all of the books that fit in the genre also fit my criteria for what makes a good book. A good crime book needs to stand out from others in the genre, yes, but it also needs to fulfil my (rather nebulous) criteria for what makes a good book in general. I’m going to write a follow up post about this very thing and what it made me realise.
It was a pleasure to be a part of this discussion as part of The Other Film Festival, in partnership with Arts Acces Victoria which took place at The Wheeler Centre about two of my passions and how they intersect; climate change and disability politics. Chaired by Fiona Tuomy, featuring CB Mako, Andy Jackson and Carly Findlay.
You can watch the full event below.
We were lucky enough to have a graphic recording of the event created by Sarah Firth, which I love. It’s amazing to see someone able to distill a wide-ranging event into key points. How great is it?! Check out her other work here.
When I finished up at the Centre for Youth Literature at State Library Victoria I promised myself (and my family) that I’d take six months off to recover from the burnout that came with doing a job where I had put 110% of myself into my work for so long (such
I’m giving myself a mental high-five for lasting this long, but the right job at the right time has come up and now I find myself back in regular part-time employment. I’ve joined Yarra Plenty Regional Library working on a diverse range of events presented throughout their nine branches.
I’m chuffed to be working in a library service again as I really enjoy this area of literary programming. There’s a strong focus on delivering what is useful and valuable to the community, and I really enjoy audience-driven programming. The other reason I’m also pleased because this is the library service I grew up utilising. Eltham was my local library, and I spent a lot of time there after school, as well as at various other branches. If I could go back in time and tell my younger self that one day my job would be all about books, writing, reading and ideas younger
The role is a maternity leave fill, so I expect to spend the next year at YPRL and am looking forward to seeing what I will learn in that time.
A new episode of the podcast is available now via iTunes and all your regular podcast services!
In this episode I speak with award-winning Young Adult author Ellie Marney about her experiences raising four boys in regional Victoria.
We chat about the isolating experience of motherhood in the western context, the evolution of parenting at different stages of your children’s lives and how teenage boys experiences are being changed by the spread of feminist concepts and much more.
I was so thrilled to be able to talk to Ellie, I’m a huge fan of her books, particularly her Every series, a must for any crime-loving YA reader. Head on over to her website to learn more about her work and keep up to date on her upcoming releases. Ellie somehow manages to write prolifically despite juggling many other balls, as she talks about in this podcast episode, and there is always a new gem just around the corner.
I published this article on SBS this week about trying to understand a disorder at the opposite end of the minimalist spectrum.
Both Marie Kondo and Hoarders ask: how much of the stuff surrounding us do we really need? In an age of consumer culture, fast fashion and single-use plastics, this is a valuable question. We have an attachment to physical items that our planet cannot sustain, whether we obsessively collect them in every inch of our homes for fear of throwing out something potentially useful, or rid ourselves of every item that does not bring us pure joy.
I sometimes find myself squirming as I realise how often I say things the subjects of Hoarders say, such as “I just don’t want this to go to waste, it would be useful to someone” and I was keen to explore how we are often pushed and pulled between minimalism and acquisition of material goods. It was fun to explore some of this as it relates to our fascination with these two shows. Head on over to read the full article.